SUVA TYPE FOUNDRY
Mehhanism ↓
Mehhanism by Maria Muuk, 2014 — Digitized from Tänapäeva kiri (1956) by Villu Toots. Represents the 1960s mechanical aesthetic.
image 2 O Fortuna ↓
O Fortuna by Anastassia Tšepaikina, 2017 — A serif font inspired by 19th-century fonts. Made during typography class from a few existing letters.
image 3 Sigella ↓
Sigella by Andree Paat, 2014 — A revival of an unknown typeface discovered on an early 20th century floor polish tin.
image 4 KalliGro Kalli ↓
KalliGro Kalli by Aimur Takk, 2016 — A font family where both the grotesque and calligraphic incision are built onto the same frame.
image 5 Rein Grotesk ↓
Rein Grotesk by Georg Ander Sild, 2022 — Inspired by my grandfather. The letters are built quite flimsy and lofty… just like Rein himself.
Chaos ↓
Chaos by Sigrid Liira, 2018 — Relationship between humans and technology and everything in between.
image 6 ERKI 30 ↓
ERKI 30 by Aimur Takk, 2017 — Made for the 30th anniversary of the ERKI Moeshow. Inspired by 1970-80s ERKIDISAIN student type designs.
image 7 Rammus ↓
Rammus by Ellen Loitmaa, 2020 — A font inspired by the youth culture of the '60s and '70s.
image 8 Kevad ↓
Kevad by Karl Kevad, 2020 — A simplistic font where the digital nature of numbers clashes with the old school typewriter.
image 9 Ketchup Addict ↓
Ketchup Addict by Birgita Siim, 2019 — Reflects emptiness in stomach and soul of a Ketchup Addict, who is constantly dreaming of ketchup.
image 10 Lambiseim ↓
Lambiseim by Kenneth Allik, 2018 — A topic close to my heart is lighting. It plays a big role in my life. Without lighting I wouldn't see what I am doing.
Dap ↓
Dap by Moonika Maidre, 2014 — Created in a Dinamo workshop with Johannes Breyer and Fabian Harb.
image 11 Vaksal ↓
Vaksal by Marje Kask, 2020 — Digitalisation of Estonian train station signs' typeface. Supports both Latin (extended) and Cyrillic.
image 12 Villowplex ↓
Villowplex by TSG students, 2023 — Collaborative font made using stencils of existing fonts. A combustion of 3 different fonts by 3 groups.
image 13 Tortura ↓
Tortura by Anna Legrand, 2020 — The font is inspired by reparation after destruction.
image 14 Ornamental ↓
Ornamental by Polina Zahharenkova, 2020 — Inspired by Victorian style ornaments and nature patterns, conveying their elegance and accuracy.
image 15 Esimene ↓
Esimene by Andree Paat, 2014 — Based on 5 randomly found objects reduced to a simple circle and line. The first typeface by Andree Paat.
Hellplague ↓
Hellplague by Ilja Moltšanov, 2020 — Initially 'harmless' — in the process of creation, the font acquired satanic attributes in the form of devilish tails and ears.
image 16 Imogen ↓
Imogen by Aleksander Alev, 2020 — Inspired by Master P's 1998 Album MP Da Last Don. Classy and boujee.
image 17 Lopsakas ↓
Lopsakas by Kelli Kütt, 2025 — Bold expressive handmade typeface inspired by natural forms. Its name translates to 'lush' in English.
image 18 Naps ↓
Naps by Maria Muuk, 2015 — Created during the workshop Bars and Restaurants. Inspired by a script on the wall of a postmodern flower shop by Vilen Künnapu.
image 19 Pakkonen ↓
Pakkonen by Mathias Väärsi, 2017 — A second year project with bold, considered letterforms.
image 20 Võrsik ↓
Võrsik by Karri Kaljend, 2015 — A typeface expressing speed and movement.
Stereo Sans ↓
Stereo Sans by Joonas Timmi, 2017 — A stereometric font that appears illegible at first glance. The decoding key lies in projecting letter-forming lines onto one plane.
image 21 New Poetic ↓
New Poetic by Jekaterina Kožemjatšenko, 2020 — Inspired by warm summer evenings, calm sea and inner peace.
image 22 Flowstate ↓
Flowstate by Kertu Kibal, 2020 — Named after the mental state of full immersion — energized focus, full involvement, and enjoyment.
image 23 KalliGro Gro ↓
KalliGro Gro by Aimur Takk, 2016 — The grotesque companion to KalliGro Kalli. Same frame, different calligraphic incision.
image 24 Owl Cave ↓
Owl Cave by Villem Sarapuu, 2018 — A typeface inspired by a symbol occurring in the iconic TV-series Twin Peaks.
image 25 The Times Apex ↓
The Times Apex by Urmet Piiling, 2020 — Sharing structural similarities with Times New Roman, it aims to be the next defining font in the space-time continuum of Typography.
Double Bubble ↓
Double Bubble by Aaro Veiderpass, 2019 — A variable typeface inspired by a sticky situation.
image 26 Mozzarella ↓
Mozzarella by Stenly Poks, 2018 — A hommage to the genius who invented cheese.
image 27 Napulo ↓
Napulo by Kersti Heile, 2018 — Napulo font is inspired by zodiac signs.
image 28 Coffee Time ↓
Coffee Time by Maria Muuk, 2014 — Based on randomly found objects — a plate, plastic spoon, a piece of Sacher cake and a disposable cup.
image 29 Libre Office Sans ↓
Libre Office Sans by Andree Paat, 2016 — Drawn in open-source Libre Office. Part of a graduation project experimenting with software as a drawing tool.
image 30 Sirkel ↓
Sirkel by Aimur Takk, 2014 — Each letter of the typeface is combined of three pieces of a compass.
Bomber Fraktur ↓
Bomber Fraktur by Mathias Väärsi, 2015 — Designed in the first year after 2 months of studying graphic design. Made in the course of a week-long workshop.
image 31 LEONE ↓
LEONE by Laura Martens, 2019 — Inspired by 'Leone à l'atterissage des avions' by Michel François. Leone starts flying while standing strongly on the ground.
image 32 Kiwi ↓
Kiwi by Gert-Rasmus Rannamets, 2020 — Nothing to do with kiwis — inspired by early 2000s sci-fi visuals and loosely by the 1971 Nike logotype.
image 33 Sensible Senseless ↓
Sensible Senseless by Aaro Veiderpass, 2020 — Inspired by David Byrne. Letters are blocky like his Stop Making Sense tour suit with feet underneath dancing.
image 34 Igor Rounded ↓
Igor Rounded by Eliisabet Kuslap, 2020 — Madis-Igor's Russian father in the family of fonts. His roundness comes from his beer belly and soft character.
image 35 Crystal ↓
Crystal by Ilja Moltšanov, 2019 — A font based on a story about a kid who lives in a digital space.
Dahlia ↓
Dahlia by Teele Kiisk, 2025 — A refined, botanical typeface drawing from the layered geometry of the dahlia flower.
image 36 Sens ↓
Sens by Mark Kokotov, 2025 — A contemporary typeface exploring sensory perception and minimal form.
image 37 MS Curvy ↓
MS Curvy by Saara Kuum, 2020 — A monospace font based on the skeleton of OCR-B. The curviness brings more life into an often dull monospace style.
image 38 Fairytype ↓
Fairytype by Brit Maripuu, 2025 — A delicate, fantastical typeface with fairy-tale proportions and whimsical details.
image 39 Fontenstein ↓
Fontenstein by Richard Vainola, 2025 — A bold constructed typeface with monstrous charm and graphic authority.
image 40 Cap Sizun ↓
Cap Sizun by Eva Rank, 2017 — A reverse contrast font inspired by movements of a broad-nib pen.
Faktory ↓
Faktory by Kristjan Prik, 2020 — A sans serif font with rough-looking shapes, inspired by old industrial factory aesthetics.
image 41 Jaan ↓
Jaan by Jaan Rõõmus, 2014 — A typeface studying unconventional tools for drawing.
image 42 Nocturnal ↓
Nocturnal by Katarina Sarap, 2017 — Inspired by dreams where everything is upside-down and out of control.
image 43 Shattered ↓
Shattered by 2025 — A fragmented, expressive display typeface exploring the aesthetics of rupture and reconstruction.
image 44 BRNO2016 ↓
BRNO2016 by Vello Lutter & Mathias Väärsi, 2018 — First designed for a school course, later adapted for the book Brno Guide. Named after a sign in Mathias Gallery in Brno.
image 45 Žak ↓
Žak by Marje Kask, 2019 — Based on a character who is a hat-wearing vampire. One day he loses his hat and discovers his impersonator.
I Dream of Letters ↓
I Dream of Letters by Mira Keygnaert — Created as part of Typography 1 class — 7 weeks of experimenting and 7 weeks of type design process.
image 46 Lumberjack ↓
Lumberjack by Birgita Siim, 2020 — Inspired by the forester's ancient helper — the axe. Figures mix sharpness and clumsiness.
image 47 Skeleton ↓
Skeleton by Kristi Jaago, 2020 — The Skeleton font is inspired by the font Baskerville centerline.
image 48 Volask ↓
Volask by Mathias Väärsi, 2016 — Designed in the second half of the first year. The font was made only using CSS code.
image 49 Kykeon ↓
Kykeon by Martin Kislõi, 2025 — An experimental typeface exploring ancient ritual aesthetics and contemporary letterform construction.
image 50 Helipleumon ↓
Helipleumon by Katariina Tõnismäe — Created as part of Typography 1 class — 7 weeks of experimenting and 7 weeks of type design process.
Kalevgrotesk ↓
Kalevgrotesk by EKA students — A grotesk typeface drawing on Estonian folk tradition and the epic poem Kalevipoeg.
image 51 Kulm ↓
Kulm by Laura Merendi, 2018 — Constructed from crumbled-angry eyebrows — the shapes people make while swearing.
image 53 Fiato ↓
Fiato by Agnes Isabelle Veevo, 2020 — Strong but delicate, mixed with bolder and thinner lines. 'Fiato' means breath in Italian — for everyday use.
image 54 Escapist Diaries ↓
Escapist Diaries by Alíz Stocker, 2019 — Based on an imaginary coming-of-age film, starring a fragile teenage girl.
image 55 Akijo ↓
Akijo by Adam Asztalos, 2019 — Inspired by a fictional movie about a ninja taking revenge on his parents' killers. Fast, dangerous, ruthless.
image 56 Exquisite Corpse ↓
Exquisite Corpse by EKA students, 2023 — Students took turns drawing letters according to a rule. Each letter has as many layers as there were groups. Rendered as a variable font.
Hypha ↓
Hypha by EKA students — A mycelial typeface — letters that grow and connect like fungal networks beneath the surface.
image 57 SafariTraveller ↓
SafariTraveller by Mirjam Varik, 2019 — The font is inspired by desert, Africa, and traveling around there.
image 58 Lazy Glamour ↓
Lazy Glamour by Nora Pelšs, 2020 — A glamorous font whose essence is to look a little bit out of place and wonky.
image 59 Frisbee ↓
Frisbee by Fiona Helen Arenz, 2020 — Inspired by the dynamic movements of 70s Ultimate Frisbee players. Sporty but groovy display font.
image 60 Work Sans TASE ↓
Work Sans TASE by Aimur Takk, 2016 — Modified for the Estonian Academy of Arts graduation festival TASE'16. Based on Wei Huang's Work Sans.
image 62 Maurizio ↓
Maurizio by Jaan Pavliuk, 2020 — Inspired by outer space explorations, delirious states of mind, and music by Basic Channel.
Apollo ↓
Apollo by EKA students — A crisp, spatial typeface evoking the precision and optimism of mid-century space-age design.
image 63 Madis-Igor ↓
Madis-Igor by Eliisabet Kuslap, 2019 — The outlined font symbolises staying anonymous while Cyrillic letters emphasise Russian cultural influences.
image 65 Teibifont ↓
Teibifont by Andree Paat, 2016 — Inspired by duct tape, created for the Interior Architecture department of EKA.
image 67 Gog ↓
Gog by Elisabeth Mägi — Created as part of Typography 1 class — 7 weeks of experimenting and 7 weeks of type design process.
image 68 Radio ↓
Radio by Pavel Salmin, 2020 — Based on Soviet magazines for radio amateurs. Refers to electronic schemes and typography of that era.
image 69 Susle ↓
Susle by Ingel-Kristen Veevo, 2020 — A type system based on the QWERTY keyboard grid. Shapes fit like a puzzle — combine forms, encrypt information, or create visual emblems.
Masurka ↓
Masurka by EKA students — A rhythmic display typeface inspired by the energetic tempo of the Polish masurka dance.
image 70 Varenyky ↓
Varenyky by Anneli Kripsaar, 2018 — Inspired by Ukrainian cherry varenyky — dumpling-like boiled pastries from childhood summers in Odessa.
image 71 DEWY ↓
DEWY by Martin Kipper, 2019 — The interpretation of a pencil's life full of hardships inspired the creation of DEWY.
image 72 Gary ↓
Gary by Martin Kipper, 2020 — Born through digitalising the Binner typeface and making it clearer.
image 73 Fallengum ↓
Fallengum by Ryan Kaabel — Created as part of Typography 1 class — 7 weeks of experimenting and 7 weeks of type design process.
image 74 Franz ↓
Franz by Agnes Isabelle Veevo, 2019 — A typeface based on a character with opposing personalities — one side shy, the other bold and outgoing.
Tiltortion ↓
Tiltortion by EKA students — Letters warped and tilted — a typeface that questions the straight axis of conventional typography.
Leimzy ↓
Leimzy by EKA students — A loose, hand-inflected typeface with the irregular warmth of a letter written in a hurry.
Barbara Barbara ↓
Barbara by EKA students — A bold, expressive display typeface.
Broadnibber Broadnibber ↓
Broadnibber by EKA students — Inspired by traditional calligraphy tools.
Cofe Sans ↓
Cofe Sans by EKA students — A clean, modern sans-serif.
Dematerialized Dematerialized ↓
Dematerialized by EKA students — Exploring the boundaries of legibility.
Flora and Fauna Flora and Fauna ↓
Flora and Fauna by EKA students — Organic shapes and intricate details.
Fontanne Fontanne ↓
Fontanne by EKA students — A graceful display typeface.
Heavy ↓
Heavy by EKA students — A powerful, high-impact sans-serif.
Kalevgrotesk 2 Kalevgrotesk 2 ↓
Kalevgrotesk 2 — A refined variant of the classic folk-inspired grotesk.
Kandi 3 Kandi 3 ↓
Kandi 3 by EKA students — Playful and geometric.
Keynote Sans Keynote Sans ↓
Keynote Sans by EKA students — Professional and versatile.
Collective ↓
Kollektiiv Collective by EKA students — A typeface for shared voices.
Molot Molot ↓
Molot — A bold, heavy display font with industrial strength.
Sato Sato ↓
Sato by EKA students — Minimalist and precise.
Soy Soy ↓
Soy by EKA students — Expressive and unconventional.
Substanta Substanta ↓
Substanta by EKA students — Bold and structural.
Tirnot Mono Tirnot Mono ↓
Tirnot Mono — A quirky, characterful monospace typeface.
Toilet Paper Type Toilet Paper ↓
Toilet Paper Type — A humorous, tactile display font.
Tontfont Tontfont ↓
Tontfont — Inspired by ghostly shapes and shadows.
Velodromatic Velodromatic ↓
Velodromatic — A fast-paced, rhythmic display font.
Yoga ↓
Yoga — Balanced and fluid letterforms.
Robinson ↓ Mercator ↓ Albers ↓
My Maps Sans — World map projection series (1/4).
Azimuthal ↓ Bonne ↓ Cylindrical ↓
My Maps Sans — World map projection series (2/4).
Lambert ↓ Orthographic ↓ Polyconic ↓
My Maps Sans — World map projection series (3/4).
Sinusoidal ↓ Stereographic ↓ Transverse ↓ Winkel Tripel ↓
My Maps Sans — World map projection series (4/4).

CONTACT
suvatypefoundry@artun.ee
Department of Graphic Design
Estonian Academy of Arts
Põhja pst 7, Tallinn, Estonia